Balancing society’s need and desire for man-made products with limited natural resources is the regular theme Illinois artist Hannah K. Freeman employs in her work. Freeman, born in Jacksonville, makes time for creating oil paintings while working as an instructor in graphic design at Eastern Illinois University. She disputes any notion that opportunities for artists exist primarily in cities, finding calls for artwork for exhibitions come from Illinois towns of all sizes, statewide.

ILI: How long have you been an artist or when did you start? Was there a single incident or moment when you realized this was your passion and if so, tell us about it?

FREEMAN: Without a doubt, I was born an artist. While other children were into video games and television shows, I spent my childhood drawing on everything in sight – walls, Kleenex boxes, couches; nothing was sacred. I would spend hours locked in my room handcrafting cards for friends and family and posters and signs for holidays and special events. I was the kid who carefully crafted a handmade valentine for each classmate and loved every minute.

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It’s a sad fact that more women die from heart disease than men. Dr. Annabelle Volgman of Chicago’s Rush University Medical Center has dedicated her career to changing that reality.

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A young Bill Crook left Illinois to travel around the country, then returned home to Springfield to begin a career as an artist. His love for his home state has inspired much of his work, including drawings of the state capitol, Lincoln’s home and historic sites throughout the state. He continues to document the life and times of Illinois. Read on to learn more about Mr. Crook and see more of his artwork on his website.

ILI: How long have you been an artist or when did you start? Was there a single incident or moment when you realized this was your passion and if so, tell us about it?
CROOK: I've been doing pen and ink drawings for about 43 years. I began when I was a design student at University of Illinois in Urbana, and was inspired by the so-called underground comics movement of the '60s and 70s, especially the work of Robert Crumb. I had work published in a number of small press publications, but unfortunately the pay was non-existent. This was during the Vietnam War, and I dropped out of college, hitch-hiked to Mexico and camped on a Pacific beach at Tenacatita Bay. It was there, experiencing the overwhelming beauty of the land and the sea, that I decided to be an artist.

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John Spinello of Bloomingdale may not be a household name, but his invention is a happy memory for millions: the ‘Operation’ game.

Spinello, a native of Chicago’s west side, was a sophomore at the University of Illinois in 1962 when an industrial design assignment resulted in the prototype for the game many of us remember for its funny bone, bread basket and a startling buzz for a wrong move.

He sold the invention in 1964 for $500. While he never made another dime on the game, he and his wife and children have had a good life. Enjoyment watching generations of children delight at the game, however, doesn’t pay the bills, and Spinello finds himself in need of a $25,000 operation of his own. Toymaker friends and fans of the game initiated a crowdfund website to help pay for his oral surgery as an expression of gratitude for his creation of an iconic family game.

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Our Illinois Artist of the Month is Anastasia Mak, a native of Ukraine who made our state her home and the subject of many of her paintings. She is inspired by Illinois artists, subjects, places and the state’s friendly people. Read on to learn more about Anastasia and see more of her artwork on her website.

ILI: How long have you been an artist or when did you start? Was there a single incident or moment when you realized this was your passion and if so, tell us about it?
Mak: I have been drawing/painting ever since I was able to handle pens, brushes and markers — which, I am told, started at around 2 years of age. My mother was very happy because I have always been able to occupy myself with art for hours, and she didn't have to constantly entertain me. Also, ever since I remember, I have wanted to be a professional artist. When I was 11 though, my dad broke it to me that it would probably not be feasible to earn a decent living in the arts, and when I go to college, I should study something "more useful." I remember that moment so clearly — we were sitting on a bench in New York's Central Park, having that conversation, and I was thinking: "Now what? My life has no meaning!" — at 11! So, well, in college I studied business. And then became an artist.

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