In 1908, Springfield encountered its biggest racially motivated riot changing the landscape of the town forever. More than 100 years later, this historic event is gaining national recognition. The National Park Service is currently conducting a "special resource study" to determine whether the 1908 Springfield Race Riot site meets the criteria to be included in the national park system. Many are not aware that this particular Race Riot is what sparked the NAACP to be founded a year later in 1909, transcending African American heritage forever.
On Aug. 14, 1908, a group of white individuals marched to the Springfield police department with the intent on lynching two incarcerated Black men by the names of George Richardson and Joe James. Upon the mob discovering that the men were taken to another city for protection, chaos erupted leading to the lynching of Scott Burton and William Dunegon. Black-owned businesses and homes were robbed of over $150,000 in property during the riot, as the white mob invaded the African American neighborhoods in hopes of causing more destruction and chaos. Many homes were burned to the ground as a result of racial inequality and injustice. But now the city of Springfield could be remembered for memorializing an event that changed the course of history.
In February 2020, U.S. Senators Tammy Duckworth and Dick Durbin introduced The 1908 Springfield Race Riot National Monument Act, calling for the Race Riot to be a national monument managed by the U.S. National Park Service. In 2022, this measure gained even more national attention. All of the efforts and contributions from the NAACP, government officials and local organizations are what led to NPS conducting the “special resource study.”
On Aug. 10, the NPS hosted a meeting at the Springfield NAACP office explaining the process of becoming nationally recognized, inviting the general public for commentary. Expressing their support to finally get the Race Riot national recognition, members of the community are excited to see forgotten Springfield history preserved and recognized at the highest level.
Public comments are being accepted online now through Sept. 3 to determine whether the Springfield Race Riot of 1908 site located at Madison & 10th Street will be preserved as a national park unit. To provide an online comment, click here.
Located outside Harrisburg, Illinois, Shawnee National Forest is a conglomerate of nature, beauty, adventure, and life. If you take a trip to one of Illinois’ top parks, check out a few of the following trails:
Garden of the Gods Observation Trail – Along this semi-short trail, hikers will encounter the most recognized rock formation labeled “Camel Rock.” This rock formation has been captured and imprinted on U.S. quarters. This hiking trail requires extreme caution, so make sure to enjoy your experience while staying safe.
Rim Rock National Recreation Trail – On Rim Rock trail, hikers will stumble across charming creeks, direct access to Pounds Hollow Beach where camping is imminent, and an enormous stone fort utilized by past Native American inhabitants.
Indian Kitchen Trail – This trail is intertwined with a great part of the Lusk Creek Wilderness, which is also in the Lusk Creek Canyon Nature Preserve. Nonetheless, Indian Kitchen trail is a much more challenging adventure for enthusiastic hikers and equestrians.
Those who pass through here will find signage from the Native American past, caves, bluffs, old homesteads, and abandoned roadways. Due to flash flooding, camping is not permitted within the Nature Preserve. However, canoeing is a common occurrence during the warmer seasons.
Old Stoneface – This trail is a simple path known for its most unique rock formation, Old Stoneface. It is a formation of stones that resemble an aging face.
For parties, cookouts, and celebrations of any kind, there is always one common item – the red solo cup. Did you know its origins are rooted in the South Side of Chicago? Amid the Great Depression, Leo Hulseman launched his new business idea for easily accessible and disposable kitchenware.
Hulseman spent his nights creating paper cups so he could sell them throughout the day. Eventually, he invested in a 1940 machine that was invented by George Method Merta, an immigrant from Metylovice, Czechoslovakia who settled down in Chicago, which produced 250 cups per minute from a single roll of paper.
When choosing a brand for this new innovate cup, Leo Hulseman and his two sons agreed on “Solo” because the cup was “so high in quality, so low in price.” However, a patent lawsuit presented itself later. The “Solo” name was initially devised by Bozena Merta, a Czech immigrant.
As the legal situation was handled and business continued, Leo Hulseman dabbled in the music and television industry. It was a tool in advertising his Solo cups. He would provide ads for grocery stores and surrounding businesses as a means of receiving shelf space for his product in their establishments.
After Leo’s passing, his son, Robert Hulseman decided to expand the company and the product’s design. Robert pursued a more modern proposition of using plastic rather than paper. He found machines in Germany equipped with fulfilling this task. When creating test samples of the contemporary product, he looked to his own children to select the colors. In its 1970s debut, the Solo cup was made available in red, blue, yellow, and peach. Red received the most favor.
The Solo Cup Company also played a role in the creation and patent of the Traveler Lid for coffee cups. The design was developed by Robert Hulseman and Jack Clements. It became a widespread tool after Starbucks applied it to its many coffee cups and New York’s MOMA featured the acclaimed lid in a 2004 “Humble Masterpieces” exhibit.
For some time, the Solo Cup brand was connected to the well-known Star Wars films. This was due to the main character, Han Solo. In 2011, country star Toby Keith released a hit song titled, “Red Solo Cup.”
Since the start, the red solo cup has remained a classic, disposable kitchenware and symbolizes a great deal of festivities within popular culture.
Gwendolyn Brooks was a famous American poet from Chicago. Born June 7, 1917, Brooks held a passion for writing poetry from a young age, having her first poem published at 13. She was published in Chicago Defender, a newspaper for African Americans in Chicago, by the time she was 17. After attending Wilson Junior College, now known as Kennedy-King College, and working for the NAACP, Brooks began centering her poems on the urban Black experience. This became part of her first collection of poems, “A Street in Bronzeville.”
Brooks’ unique writing style combined comedy with irony to portray the struggles people face. In 1950, Brooks became the first African American to win the Pulitzer Prize.
Brooks published her first and only book in 1953, “Maud Martha.” The book focused on the discrimination that a dark skin Black women faced. Later into Brooks’ career, she began highlighting politics. A change in Brooks’ writing style when she was in her 50s was seen as a pivotal point. That change has been credited to her attendance at a Black writers gathering that took place at Fisk University. Brooks then transitioned from a traditional writing style to a free verse style.
Brooks was declared a “Living Legend” by Congress. She received over 70 honorary degrees, including a Lifetime Achievement Award from the National Endowment of the Arts. In 1994, she received the highest government honor for career achievement in the humanities, Jefferson Lecturer.
Brooks taught at several colleges including Chicago State University. Brooks said that her biggest accomplishment was her work with children. She spent 30 years sponsoring poetry competitions for students.
Her life and legacy lives on through the words she wrote. Brooks remains one of the most famous African American poets.
After the long overdue recognition of such a central piece of the Chicagoan Mexican community, Little Village Arch has been named an official landmark.
Built in the 90s, the Little Village Arch was devised by Adrián Lozano, a Mexican architect. His art was brought to life when the Balti Contracting Co. began building the structure. The concept of the arch was birthed by 1987 Alderman Jesus “Chuy” Garcia. The intention of the art piece was to mirror the classical arched entrances that frame the streets of Mexico.
A distinguishing trait is the large bronze clock positioned in the top center of the Little Village Arch. In 1991, this item was donated by the former Mexican President Carlos Salinas de Gortari during an in-person visit to Chicago. The clock is from Relojes Centenario, a renowned watch and clock factory, shop, and museum, in Zacatlán, Mexico.
As a result of this architecture and its cultural significance, the neighborhood in which the arch is located has received a designated name. This arch is often referred to as the gateway to the Mexican capital of the Midwest. This is due to its large Mexican and Mexican American population. Comparatively, the Latinx community composes almost a third of the Chicago population.
Located at 3100 W. 26th St. in Chicago, the Little Village Arch presents a doorway into a unique and thriving neighborhood with rich history. According to Chicago records, it is also a commercial hotspot for tourism and opportunity to appreciate Mexican authenticity. It is two miles of taquerias (taco joints), panaderias (bakeries), and mom-and-pop shops. In respect to revenue, Little Village is ranked second in generating the most profit throughout the city of Chicago.
This is the first time an architect of Mexican descent has received recognition from the city of Chicago for an architectural structure of their creation. It is a consequential triumph for the Mexican community residing within its scope. It is a pillar of honor, cultural significance, resilience, economic strength, and artistry.
As stated on the arch, “Bienvenidos A Little Village. Y Bienvenidos A Illinois.” – “Welcome to Little Village. And Welcome to Illinois.”