Chicago Mayor Rahm Emanuel announced recently that the city’s industrial property vacancy rate has hit its lowest point in 16 years.
Chicago’s industrial property vacancy rate dropping to just 6.6 percent suggests that the local advanced industrial economy is back on the upswing after decades of job loss due to offshoring and automation. The rate of occupancy in industrial buildings is just one indicator of Chicago’s economic health. Mayor Emanuel announced a few other favorable statistics this week, framing Chicago as a desirable location for corporate headquarters and tech-savvy businesses.
Thanks to a strong trend of corporate relocations to Chicago—2017 marked Chicago’s fourth straight year as Site Selection Magazine’s top metro for corporate investment—the downtown commercial real estate market continues to boom. Average downtown office value grew by 20% over the past year, which is the second-largest increase in the world.
Chicago also continues to attract and retain technology talent. “Silicon Prairie,” as it is sometimes called, is a growing site for innovation, rivaling tech incubators in New York and the Bay Area. I Like Illinois has already reported that investments in Chicago’s tech scene pay out at higher rates than investments in any other technology hub in the United States. To this point, Emanuel also mentioned that Chicago was named the sixth best city in the world for technological innovators in a survey of industry insiders.
These numbers tell a powerful story about Chicago. With desirable real estate and a strong technology sector, the city is developing an economy that will support a large and diverse workforce for many years to come.
America’s most celebrated architect would have celebrated his 150th birthday this week. Frank Lloyd Wright, who was a leader in the Midwestern Prairie School style of architecture, was born June 8 in Richland Center, Wisconsin.
After attending the University of Wisconsin for a short time, Wright moved to Chicago. After the Great Chicago Fire of 1871, the potential for development in Chicago was limitless. The Chicago that Wright moved to was filled with grimy neighborhoods and crowded streets, making Wright determined to find work.
After many interviews Wright found work as a draftsman for Joseph Lyman Silsbee, a prominent architect who designed buildings in Syracuse, Buffalo and Chicago. Silsbee was founding member of the Chicago and Illinois chapters of the American Institute of Architects. After for working for Silsbee, Wright worked for the firm of Adler & Sullivan.
Wright worked at the firm until 1893, leaving to open his own practice. In 1896, Wright moved his office into the Steinway Hall Building, sharing the space with three other architects. Wright and those architects would form what is today known as the Prairie School style of architecture.
The Prairie School complemented the Chicago area. The one- or two-story houses often had open floor plans, natural materials like wood and stone, built-in cabinets, strong horizontal lines, low-pitched roofs and ribbons of windows.
Wright would design more than 50 houses in this style, including the Arthur Heurtley House in Oak Park, the Nathan G. Moore House in Oak Park and the Darwin D. Martin House in Buffalo.
Wright would pass away in 1959. Following his death, most archives of Wright’s work was stored at the Frank Lloyd Wright Foundation in Wisconsin and Arizona.
As summer begins, there is no better time to enjoy Illinois’ parks and the many activities that are available in warmer months. With its well-maintained infrastructure, shady trees and miles of trails, Illini State Park is a classic Illinois summer destination. According to the Illinois Department of Natural Resources’ website, “Illini State Park is the type of park you think of when you think of big picnics and family gatherings.”
Located along the Illinois River in Marseilles, Illini State Park is an ideal Northwestern Illinois location for enjoying the spring and summer weather. In the 1930s, the Civilian Conservation Corps renovated portions of the nearby Marstawa Country Club, adding them to the park. This means that there is significant, solid infrastructure in place for outdoor activities including camping, picnics and youth events.
Other recreational spaces include a baseball diamond and numerous horseshoe pits. During the warmer months, a concession stand serving food, drinks and ice cream opens in the park.
Illini State Park is home to hickory, ash, walnut, elm, cottonwood, oak and maple trees. During spring and summer, visitors can spot blooming wildflowers, white-tailed deer, squirrels, opossums, beavers, raccoon, groundhogs, waterfowl and songbirds.
The river has an ample supply of crappie, bass, bluegill, catfish, carp and many other species. A boat ramp is available, but boaters should be aware that the park is close to the Marseilles Lock and Dam and that barge traffic can be heavy.
There is something for everyone at Illini State Park. The opportunities for good times grow as summer comes to Illinois. Plan your trip to Illini State Park today!
Mary Porterfield is a Chicago-based artist with a BS in Biology, MS in Occupational Therapy and a MFA. Her work has been featured nationally and internationally.
Porterfield has been teaching for 14 years with an emphasis on painting, composition, contemporary content, color theory, 2D design and drawing.
ILI: How long have you been an artist or when did you start? Was there a single incident or moment when you realized this was your passion and, if so, tell us about it?
MP: My interest in art began as a child when I would watch my mother paint. When I was young, we lived in Germany because of my father’s career in the air force. My mother took art classes to help her overcome her homesickness for the Midwest. I would go with her to her painting classes and fell in love with art at that time.
ILI: Illinois has factored into our work in the past. What does being able to live and work in Illinois mean to you?
MP: The diversity of Illinois, especially in Chicago, has been a huge influence on my work. My art is largely based on my experience as an occupational therapist, working in a hospital on the Northwest side of Chicago. I’ve witnessed many family members sacrifice their own health to care for a loved one who is disabled. These individuals, who take on the role of caregiver, have been the most inspiring to me. Their selflessness and resilience reflect so many of the attributes I see in Illinois residents. Their stories are reflected in the narratives within my landscapes. Learning from their experiences makes living in Illinois especially meaningful.
ILI: What opportunities does Illinois present to local Illinois artists?
MP: There are many exhibition opportunities available at various art centers, colleges, universities, galleries and independent spaces. Some of these opportunities are listed on http://www.chicagoartistsresource.org/.
ILI: What do you like about Illinois?
MP: In addition to the people of this state, I’ve been really moved by the Illinois landscape. Both the cliffs of Galena and the canyons of Starved Rock State Park have made their way into my work. In their beautiful yet daunting views, they represent situations I’ve encountered in healthcare that are inspiring yet challenging. These scenes form the background of my paintings and are inhabited by many figures who struggle to care for others in the midst of uncontrollable circumstances.
ILI: What is your favorite medium to work in?
MP: I typically paint on wood panel but, recently, I’ve been drawing more. Drawing has allowed me to bring more attention to the narratives that are camouflaged within my paintings.
ILI: Where can people view or purchase your work?
MP: My work can be viewed at www.maryporterfield.com or www.packergallery.com. I can also be contacted at mary@maryporterfield.com.
ILI: What artist inspires you and why?
MP: I have deep respect for outsider art because of the unrestrained manner with which so many of the artists worked. I’ve been most inspired by Chicago outsider artist, Henry Darger. Over the course of his lifetime and without an audience, Henry completed a 15,000 page fantasy novel, along with some 300 watercolor and collage drawings. Words cannot describe the level of respect I have for his lifelong commitment to such an idiosyncratic and intimate vision.